sid mccoy wcfl
 WMVP's schedule included some nationally syndicated shows such as "The Fabulous Sports Babe" and "Ferrall On The Bench" as well as play-by-play of local sports games.  Under the management of Witz, the station's turntables used for transferring music onto tape cartridges for broadcast were speeded up from 45rpm to 48rpm. This was the first television station in Chicago.  WLUP-FM remained an AOR station, while 1000 WLUP switched to a full service rock format focusing on personality, comedy and talk programs with a few rock cuts an hour. The station also moved from the American Furniture Mart where it had been since 1931, to the then new Marina City, where it remained for the next 20 years.  Bob Elson did both White Sox games and interviewed celebrities at the Pump Room; his sports cohort, Milo Hamilton, also wore two hats, talking football and playing music. The FRC would grant WCFL a 5,000 watt license in 1932, but it would take some years of expensive discussions to attain clear-channel, 50,000-watt status.  On June 19, 1928, Ulises Armand Sanabria, a local television pioneer, made the first Chicago television broadcast using the WCFL Navy Pier transmitter to send the video portion of the signal and Chicago radio station WIBO for the audio portion.  Due to madcap DJ Britain's sure ear for the innovative and his highly inventive sketches, plus WCFL's powerful AM nighttime signal, these programs gained huge listenership not just in the Chicago area, but in other parts of the country as well. , WCFL was also involved in early experimental television broadcasts, and operated a shortwave repeater station, W9XAA, in the 1930s. that sold more than 4 million copies.
 Initially the Illinois Manufacturers' Association attempted to keep WCFL off the air by protesting the use of public property for the station's transmitter and broadcasting site. , Between 1963 and 1965, WLS was the only Top 40 station in Chicago. WCFL (1966) (Courtesy: Bill Dulmage) 6-9 a.m. - JIM RUNYON. Contest", "It's a Bird! Just five days after what could have become an end to the station, the Federation announced it would go ahead with building it anyway. He produced…  It was created by WCFL staffer Dick Orkin, who was also brought from Cleveland to Chicago by Ken Draper.
He died on November 5, 2009 in Los Angeles, California, USA. The station initially used studios at Navy Pier, but during the winter of 1926–1927 found that the weather often made them inaccessible.
WMVP also airs Northwestern Wildcats football and basketball games whenever flagship station WGN is unable to air the games due to other broadcast agreements. , WCFL and the Chicago Federation of Labor enjoyed the support of Mayor Richard J. Daley throughout his 1955–1976 administration. Witz defended his decision by saying there was ample local and national coverage of the story so there was no need to interrupt the music on WCFL.  Prior to Draper's establishment of an eight-person news department, news was gathered by taking the copy from the station's news wires and reading it on the air. , In their Top 40 years, some famous disc jockeys on WCFL included Jim Runyon (1931–1973), Joel Sebastian (1932-1986), Dick Williamson, (who was already with WCFL at the time of the format change), Jim Stagg (1935–2007), Ron Britain, ("America's First Psychedelic Disk Johnny"), who did a second stint at the station in 1978, the legendary Dick Biondi, whose Mutual Radio syndicated Dick Biondi's Young America show was heard here 3 years before his actual arrival, Barney Pip (1936-1994), Ron Riley, Sid McCoy and Yvonne Daniels (1991) with late night jazz  during the earliest days of the change to Top 40. In 1982, WCFL flipped to a Middle of The Road format playing adult standards and pop hits of the 1950s and '60s mixed in with some softer oldies and AC cuts, and even a few currents. This situation was unusual, as most major cities had two or even three stations featuring pop music. Although he is much better known for his radio stints as a soul music disc jockey and also an announcer on the "Soul Train" program, Sid McCoy was the principal jazz producer for Vee Jay.  Statewide Broadcasting specialized in religious formats but merged with a secular company called Heftel Broadcasting in early 1987. All materials on this site are presented for educational and historical significance. He proclaimed January 11, 1966 "WCFL Day in Chicago" to mark the 40th anniversary of the station. The station also moved from the American Furniture Mart where it had been since 1931 to the then new Marina City where it remained for the next 20 years.  The station began to identify itself as "Mutual/CFL." 9 p.m.-12 midnight - BARNEY PIP.  Several other radio stations were now also operating on the 620 kHz frequency along with WCFL and the Lane Tech station.
, AM 1000 began operation as WCFL in test broadcasts on June 19, 1926; the Commerce Department granted it call letters on July 10, 1926.  He was replaced before long by Clark Weber, long-time WLS morning man.. By 1978, the easy sounds were replaced by a gold-based adult contemporary format. This all changed in 1965, when WCFL became a Top 40 music station, competing with WLS.  The original plan for WCFL called for it to be a non-commercial station, operating on the support of its listeners; in a sense it was one of the first large-scale efforts at public radio. buttons) as bold enough to want a change.
WMVP is a Class A radio station, broadcasting at 50,000 watts, the maximum power for commercial AM stations.  The Chickenman program was subsequently syndicated to radio stations worldwide. , After deciding its profit margin was too small for the Chicago Federation of Labor to maintain, on April 10, 1978, it was announced that WCFL would be sold to the Mutual Broadcasting System, at the time a subsidiary of the Amway Corporation, for $12 million.  Station management released all disc jockeys who did not have "no cut" clauses in their contracts with the official explanation of the format change as "being more in keeping with the labor movement". It was Sorkin who introduced a young Chicago comedian, Bob Newhart, to Warner Bros. in 1959. High school was not the best years of my life.  The history of the first and longest-lived labor radio station was over; after nearly 52 years, the "Voice of Labor" had been stilled.  As the Federation tried to revive their "WCFL Park" real estate project near the Downers Grove transmitter, the decision was made to abandon W9XAA in 1937, preferring to concentrate on gaining more transmitter power for WCFL.  General Order 40 brought WCFL to the 970 KC frequency, shared with KJR in Seattle, still at 1,500 watts and now allowed to operate in daylight only.  In 1948, its power was increased to 50,000 watts.. He also collaborated with bandleader Wayne King on a record featuring MacCormack reading Mary Carolyn Davies` poem ''Why Do I Love You?'' On August 28, 2019, it was announced by ESPN Radio that day-to-day management of the station would move from direct purview by ESPN to a management agreement with Good Karma Brands, a company owned by Craig Karmazin which has had sustained success running ESPN Radio stations to the north in Madison and Milwaukee, along with Cleveland and West Palm Beach, Florida.  The commission disagreed with the reasoning that such increases were necessary to serve union members.  (WMVP did carry its own night-time sports talk program, and play-by-play broadcasts of the White Sox, Blackhawks and Bulls, and would later air some shows from hosts who were moved over from the FM beginning that September).  By 1927, WCFL was broadcasting from 623 South Wabash in Chicago (today the home of Columbia College, Chicago,) producing a quarterly radio magazine, and operating on 620 kHz;the frequency being shared with the Lane Tech High School radio station, WLTS. , The first WCFL transmitter stood on Chicago's Navy Pier (then called Municipal Pier); the Federation was able to lease the pier's North Tower for 10 years at $1 per year and its willingness to make WCFL available for city broadcasts. Ratings were still low, so by the end of 1983 WCFL evolved into an Adult Contemporary format. Read Full Biography.
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